造物的`奇迹

剧情简介

Wu$_nder der S!!/chöp^fung is an@ extr:=
aordina/ry, 
fascinating% Ku[lturfil m trying to explain,
the wh@_ole hu .man k
* nowl-\: *edge ,of -the # 1920s about `:th_]e (world and the univ^erse. 15 s#pecial effe _cts expert..s and 9 came ramen were involved in the produc/tion of this film !#which com*bines d^-_ocumentary scenes, histo/*rical documents,[ ficti%*on eleme_nts, anima(-tion /#scenes an^d?! educ_!a*%*tio+)nal impact. It its b#\eautifully colored, usin)]g tinting a@nd toning in a ve!r^%y\ ela-b @orated?
^ way. Some visu^.al[ i,_,[deas in*: the sequences with a sp*ace shuttle visiting differe; =_nt pla

n] ets !in the un@iv@erse seem t[/o ha@ve to b^e the in=$-!%spiration for Stanley Kubri*ck's 2001 /-=A Space Odyssey[#.　　In the c?:o#
ntext of Germany's Ku:l(t;!-#urfi=/ lm pheno`*men):%on, Wunder der Sch^^\(öpfung@] = was +amon:g= ? t)`h%e greatest achi!evement$s o[;f[`
the !$1(920s. The pro.duct$@ion+ was? co ^ns-!tru_%
*cted, reh --(earsed,@, and sho /t\ ov,er? a per$_iod o-;f two and a ha*)l\:f yea-`.?rs, under )@th_e super/vision of Hanns Walter ]^Kornblum. [/)\The idea to=+` describe th(^e un^iverse and_\, m([an's pl :ace in it well suited U@ ^FA's Grossfil+:m mentalit_-y, on!e year +^before the! Me-`trop
#! +o(lis c[.atastr;* o.ph,,e. Hundreds #of s-?]killed .cr?)aftsmen part-$?icip ated i?n the ,projec-)/ t^:, building props and)@* constr/#%uc`#ting [scal.e m^ od^el
s drawn by 15 ] special ef:@;fects d!r([aughtsmen, whi).^le 9 camer
amen\?^ in s )epar- ate unit;?s wor(];^.ke;d on the hi_;stor)_+ical,*% documentar)-y,\# fiction,^@, animat\$ion+, and science`-ficti^on @sequences. Without^][ (/%star roles +%o:r `even pr+ota!( go;%`ni@st!s,] the fil ^m?-
's p\lot @is c[$ .rowded wit[h meticul\ousl(;y structured `.and s/$killfully a
ct #ed si.
ngle s ?$cenes an ar+tful mosaic of small= vignettes. No l@.-ess than #four#- c;^red
?^i t$:`ed un@*
iversity pr(ofessors) en@$sured the; factual `backgro /und behi\\nd %`the scientific .and historical events portray=ed$).　,　Th\,_,e film's sy#m $,bo#l of pro`_
gr)#;;ess and the new sc, ientific era `;is a space)cra#?;f:t]/@,  travelling( thr^$ough the Milky Way, making all ??
the pl?=)anets an;#d their $*i`^;nspi##ring_%.][ worlds@ ]_fa*miliar to u- +s, =:w\^
-ith`=
 the extr^#avaganza]# of \t(heir di`]stinc@! tive fea
tur[!es. The fi !lm's education) _al intentions, howev:?er,% becom e) stea.?*dil(]y more ?]obscure, humor)^-ou`@+s, or even campy as t.(his pop+ularization project proceeds(/. W=i th, the ]=!#excu s[e o.f pre!=senti
ng(! the%% end of (th)e world a [)no@(t-so-new` conc:^/ept as a@ new:\, unden\iably \sc*)ien tific truth, the= film `(]vee;$]rs happ;$i
%_!ly along a !new p?* ]a@th, dis%play[$ing detai^@led apoca$/=*lypt+%`ic scenes of the end *#of mankind. For today's audiences, this am:azing $+ film demon$stra+^tes\ ho*  w the univ;%+erse was comprehend/$\ed in /the  1920s+[, and how that  /vi!ew was=._; sold](* to )contemporar$y a][%!udi?
-
ences.